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Nelly Tsyrlin

  • Home
  • About
  • Courses
  • Collections
    • gold on frost
    • terra & divum
    • blooms & pebbles
    • paper gardens
  • Instalations
  • Shop
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  • Mailing List

Blog:

I travel the world in search of stories about people, places, sounds, and nature that can be portrayed in my studio. Each of us sees the world differently through personal experience, which is why I strive to record my own experiences on paper, to freeze the moment in time. 


Featured posts:

Featured
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May 17, 2020
Fields, Saints & Magic
May 17, 2020
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May 17, 2020
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April 26, 2020
CONVERSATIONS WITH MATISSE
April 26, 2020
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April 26, 2020
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April 12, 2020
PALE TROPICS & VIVID FORMATIONS
April 12, 2020
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April 12, 2020
BLUE, HAZE & LEMONS
March 22, 2020
BLUE, HAZE & LEMONS
March 22, 2020
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March 22, 2020
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September 9, 2019
How to paint freely
September 9, 2019
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September 9, 2019
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August 13, 2019
New Works On Paper
August 13, 2019
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August 13, 2019
Garage Mural
June 22, 2019
Garage Mural
June 22, 2019
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June 22, 2019
Rhythm & Flow
September 4, 2017
Rhythm & Flow
September 4, 2017

Over the summer I worked on exploring and experimenting with composition and colour, sharing very little with others and trying to ride the ‘production wave’ to the max. Now that winter is around the corner I’ve slowed down and took this as an opportunity to reflect. I’ve finished over 20 new paintings, which look like an entirely new body of work. Most of it is abstract and is quite different to what I used to do a year ago.

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September 4, 2017
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March 26, 2017
Abstract Process
March 26, 2017

After years of painting I can confidently attest to the fact that producing art is a lot like being an athlete. It requires dedication, thorough technique, discipline and experimentation. Although its hard to say which component is more important, the experimenting part is definitely vital if you want to keep on growing.

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March 26, 2017
Getting Back to It
February 12, 2017
Getting Back to It
February 12, 2017

The last year has been a lot about new beginnings. I’ve started teaching full time in September and I must admit that painting was pushed to the background a little. Although I’m constantly searching for new inspiration and ideas to channel  into my work it has been quite challenging to keep both of my occupations equally productive.

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February 12, 2017
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Garage Mural

June 22, 2019

Last week I finally painted my first mural. Since it wasn’t a commission I could pretty much do anything I wanted. The freedom and excitement you feel as an artist is doubled when opportunities like this come along, and I could not wait to throw myself into it. I found It was not as easy as I originally thought it would be. What started off as a freestyle chance to splash some paint on a wall soon turned into my next big venture into installation and site specific painting. Wow...but where do you start and how do you translate a space into a painting? Working on this mural was really eye opening. It was no longer just a flat surface. There were obstacles - outlets, pre-existing texture, hight and an unfriendly base color. Instead of working around these moments I wanted to include them in my composition. Ultimately, these elements translate a sense of energy that the space embodied. With repect to concept and composition, I wanted my mural to be playful, happy and easy to read. Complex mixtures can seem confusing and heavy . I wanted to keep it clean, flat, almost like paper cut-outs overlaying each other. While working on this piece, I thought about the energy constantly pulsing through the city and the its various pattern therein. Toronto can feels like a collage of shapes, hemmed in by highways and rivers. The mural reflects this concept. Murals can have a powerful effect on a viewer. They invite you the guests to stay a little longer and appreciate the space. I kept that in mind and tried to think objectively.

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After I completed the mural, I was really concerned about how I was going to go back to my regular practice of working on paper. I realize now that there are challenges with both and the fundamental idea in both is to activate a flat surface and bring a sense of life to it. What I love about my art practice is that it never ends and there is a constant sense of surprise and discovery. I never know what is next and every piece holds a chance to learn something new. Nothing is too precious and fortunate accidents help me to refine my technique further.

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