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Nelly Tsyrlin

  • Home
  • About
  • Courses
  • Collections
    • gold on frost
    • terra & divum
    • blooms & pebbles
    • paper gardens
  • Instalations
  • Shop
  • Process
  • News
  • Mailing List

Blog:

I travel the world in search of stories about people, places, sounds, and nature that can be portrayed in my studio. Each of us sees the world differently through personal experience, which is why I strive to record my own experiences on paper, to freeze the moment in time. 


Featured posts:

Featured
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May 17, 2020
Fields, Saints & Magic
May 17, 2020
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May 17, 2020
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April 26, 2020
CONVERSATIONS WITH MATISSE
April 26, 2020
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April 26, 2020
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April 12, 2020
PALE TROPICS & VIVID FORMATIONS
April 12, 2020
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April 12, 2020
BLUE, HAZE & LEMONS
March 22, 2020
BLUE, HAZE & LEMONS
March 22, 2020
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March 22, 2020
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September 9, 2019
How to paint freely
September 9, 2019
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September 9, 2019
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August 13, 2019
New Works On Paper
August 13, 2019
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August 13, 2019
Garage Mural
June 22, 2019
Garage Mural
June 22, 2019
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June 22, 2019
Rhythm & Flow
September 4, 2017
Rhythm & Flow
September 4, 2017

Over the summer I worked on exploring and experimenting with composition and colour, sharing very little with others and trying to ride the ‘production wave’ to the max. Now that winter is around the corner I’ve slowed down and took this as an opportunity to reflect. I’ve finished over 20 new paintings, which look like an entirely new body of work. Most of it is abstract and is quite different to what I used to do a year ago.

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September 4, 2017
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March 26, 2017
Abstract Process
March 26, 2017

After years of painting I can confidently attest to the fact that producing art is a lot like being an athlete. It requires dedication, thorough technique, discipline and experimentation. Although its hard to say which component is more important, the experimenting part is definitely vital if you want to keep on growing.

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March 26, 2017
Getting Back to It
February 12, 2017
Getting Back to It
February 12, 2017

The last year has been a lot about new beginnings. I’ve started teaching full time in September and I must admit that painting was pushed to the background a little. Although I’m constantly searching for new inspiration and ideas to channel  into my work it has been quite challenging to keep both of my occupations equally productive.

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February 12, 2017
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CONVERSATIONS WITH MATISSE

April 26, 2020

What started as me going through some old art books in search of inspiration, while at home on lockdown, grew into a journey of experimentation and slowly into new series of work. When in search of ideas revisiting vintage catalogues has always been my favourite exercise. I came across Matisse’s paper cut outs which sparked a desire to incorporate elements of decorative and cheerful manner into my monochromatic monotypes.  As I was working on these new paper pieces I was also looking at Japanese 80’s posters designs. I admire the Japanese ability to constantly reinvent their traditional aesthetics of reserved compositions and colourful broad geometric shapes. Borrowing from what is essentially paper graphic arts of simplified shapes, cut outs and colourful rhythm I created a hybrid of my own. Beginning with a line drawing or an imprint of a big bold shape I continued to add layers and textures spraying paint, smudging crayons and scribbling energetic pastel lines, working my way through the compositions which morphed into abstract landscapes. While the result is a remote reference to its name, this series begun as a cerebral conversation with Matisse, aiming to marry broad large considered shapes with expressive spontaneous energetic mark making converting it into a colourful visual landscape collages. One of the submitted pieces is named “Etoile over Nice”, the   idea of a bold star in the night sky with colours inspired by the Mediterranean landscape of the Côte d’Azur where Matisse spend his final years. To view the whole series click here.

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← Fields, Saints & MagicPALE TROPICS & VIVID FORMATIONS →
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