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Nelly Tsyrlin

  • Home
  • About
  • Courses
  • Collections
    • gold on frost
    • terra & divum
    • blooms & pebbles
    • paper gardens
  • Instalations
  • Shop
  • Process
  • News
  • Mailing List

Blog:

I travel the world in search of stories about people, places, sounds, and nature that can be portrayed in my studio. Each of us sees the world differently through personal experience, which is why I strive to record my own experiences on paper, to freeze the moment in time. 


Featured posts:

Featured
May 16, 2020
Fields, Saints & Magic
May 16, 2020
May 16, 2020
April 25, 2020
CONVERSATIONS WITH MATISSE
April 25, 2020
April 25, 2020
April 11, 2020
PALE TROPICS & VIVID FORMATIONS
April 11, 2020
April 11, 2020
March 21, 2020
BLUE, HAZE & LEMONS
March 21, 2020
March 21, 2020
September 9, 2019
How to paint freely
September 9, 2019
September 9, 2019
August 13, 2019
New Works On Paper
August 13, 2019
August 13, 2019
June 22, 2019
Garage Mural
June 22, 2019
June 22, 2019
September 3, 2017
Rhythm & Flow
September 3, 2017
September 3, 2017
March 26, 2017
Abstract Process
March 26, 2017
March 26, 2017
February 12, 2017
Getting Back to It
February 12, 2017
February 12, 2017
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CONVERSATIONS WITH MATISSE

April 26, 2020

What started as me going through some old art books in search of inspiration, while at home on lockdown, grew into a journey of experimentation and slowly into new series of work. When in search of ideas revisiting vintage catalogues has always been my favourite exercise. I came across Matisse’s paper cut outs which sparked a desire to incorporate elements of decorative and cheerful manner into my monochromatic monotypes.  As I was working on these new paper pieces I was also looking at Japanese 80’s posters designs. I admire the Japanese ability to constantly reinvent their traditional aesthetics of reserved compositions and colourful broad geometric shapes. Borrowing from what is essentially paper graphic arts of simplified shapes, cut outs and colourful rhythm I created a hybrid of my own. Beginning with a line drawing or an imprint of a big bold shape I continued to add layers and textures spraying paint, smudging crayons and scribbling energetic pastel lines, working my way through the compositions which morphed into abstract landscapes. While the result is a remote reference to its name, this series begun as a cerebral conversation with Matisse, aiming to marry broad large considered shapes with expressive spontaneous energetic mark making converting it into a colourful visual landscape collages. One of the submitted pieces is named “Etoile over Nice”, the   idea of a bold star in the night sky with colours inspired by the Mediterranean landscape of the Côte d’Azur where Matisse spend his final years. To view the whole series click here.

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← Fields, Saints & MagicPALE TROPICS & VIVID FORMATIONS →
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